Industrial landscape in Katowice / Industrialnyi peizazh u Katovytsiakh

ID: 1707
Updated: 03.02.2025
Industrial landscape in Katowice / Industrialnyi peizazh u Katovytsiakh (Photo 256)
Name:
Industrial landscape in Katowice / Industrialnyi peizazh u Katovytsiakh
Author:
Elżbieta Wyrożemska
Original name:
The country of the work of art:
Date:
1977
Type:
Painting
Technique of implementation:
Painting, landscape
Materials:
Canvas, oil
Dimensions:
80,7x64,6 sm
Special labels, markings, signatures:
Ж – 759, КП – 2567
Location of special signs:
On the back on canvas or on a stretcher
Description:
In the foreground is a pond, behind it is the shore. On the bank to the left is a mine yard with a tower crane. In the centre is a white multi-storey building, and to the right are modern urban buildings. The reservoir has a ravine bank overgrown with green grass. In the lower left corner in red paint is the author's signature and the date 77. On the back, in the upper left corner of the stretcher sticker. Inscribed in pencil in the lower left corner of the stretcher: GMII VX 2404. In the upper right corner - warping of the canvas
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Details of theft


Year of the incident:
2022
Place of the incident:
The Oleksii Shovkunenko Kherson Regional Art Museum
Place of last known stay:

Links
Archive links
The Oleksii Shovkunenko Kherson Regional Art Museum
Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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