German occupiers / Nimetski okupanty

ID: 5279
Updated: 08.04.2025
German occupiers / Nimetski okupanty (Photo 256)
Name:
German occupiers / Nimetski okupanty
Author:
Zinoviy Tolkachev
Original name:
The country of the work of art:
Date:
XX
Type:
Graphics
Technique of implementation:
Graphics, plot picture
Materials:
Paper, lithography
Dimensions:
20x22,5 sm
Special labels, markings, signatures:
Г – 484, КП – 1482
Location of special signs:
On the back on paper
Description:
In the foreground, a peasant woman kneeling barefoot with a child in her arms. The image is from the back, her head is tilted to the right. Two German officers stand in front of her on the right. One is from the back, half a turn to the left. His hands are folded behind his back, his head is tilted forward. The second is shown at a ¾ turn to the left. A dead woman lies on the ground in front of them. In the background to the left is a boy leading a cow (moving to the left).
Under the print in graphite pencil: "13" and the author's signature. In the lower left corner, in graphite pencil: the author's signature, "A series of autolithographs to the memoirs of Yakyr. German occupants. Kyiv, Lenina str. Lenina 68, room 40. 1937-1964. reg. 28240 inv. 13834. General soiling and yellowing of the sheet. Minor creasing of the sheet. Traces of mounting on the back.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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