After the rain / Pislia doshchu

ID: 5121
Updated: 02.04.2025
After the rain / Pislia doshchu (Photo 256)
Name:
After the rain / Pislia doshchu
Author:
Alexey Elizarov
Original name:
The country of the work of art:
Date:
1992
Type:
Painting
Technique of implementation:
Painting, landscape
Materials:
Canvas, oil
Dimensions:
80x70 sm
Special labels, markings, signatures:
Ж – 1394, КП – 6196
Location of special signs:
On the back on canvas or on a stretcher
Description:
Autumn landscape. In the foreground is a brownish-ochre uneven terrain eroded by rain. To the left of the center are two large gray puddles. To the right are three stumps, several thin-trunked trees with yellow leaves. To the left, a row of trees with thinned leaves, young trees, and a shrub go into the distance. In the depths are two male figures under a black umbrella. On the horizon line, trees are shrouded in gray fog. The sky is gray-blue; it is painted with broad vertical strokes. In the lower right corner in white paint signed by the author O. Yelizar. On the back - On the stretcher in black ELIZAROV A.G. m. KHERSON. On the right - a paper sticker "Yelizarov Oleksiy Heorhiyovych born in 1942 "After the rain" 1992 p. o. 70x80 m. Kherson. On the canvas in black: Kherson. Yelizarov Oleksii Heorhiiovych, b. 1942, "After the Rain" h., m. 70 x 80 1992.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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