After the rain / Pislia doshchu
ID:
4820
Updated:
10.02.2025
Name:
After the rain / Pislia doshchu
Author:
Volodymyr Petrov
Original name:
The country of the work of art:
Date:
1963
Type:
Graphics
Technique of implementation:
Graphics, landscape
Materials:
Paper, etching, aquatint, colour printing
Dimensions:
23,5x33 sm
Special labels, markings, signatures:
Г – 337, КП – 1335
Location of special signs:
On the back on paper or cardboard
Description:
Landscape with a low horizon line. In the foreground to the left is the bank of the river, into which a wooden bridge and shrubbery descend. In the center there are several ducks near the shore. On the opposite bank of the river to the right is a strip of forest. Because of the clouds in the upper left corner, there is a strip of sunlight almost diagonally. Below the image is a graphite pencil on the left: "After the rain", on the right - the author's signature. Lower right, in graphite pencil: "Petrov V.I. After the rain etching, aquatint, c. print 33 x 23.5".
General soiling of the sheet, warping. Drip stains over the entire surface of the sheet.
General soiling of the sheet, warping. Drip stains over the entire surface of the sheet.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Details of theft
Year of the incident:
2022
Place of the incident:
The Oleksii Shovkunenko Kherson Regional Art Museum
Coordinates (Lat, Lon):
46.62979067231111, 32.609546919505945
Place of last known stay:
Links
Archive links
Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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