Russian art sheet No. 10, 1856. Assumption Monastery / Rosiiskyi kнudozнnii lystok. № 10. 1856. Uspenskyi monastyr
ID:
4296
Updated:
05.02.2025
Name:
Russian art sheet No. 10, 1856. Assumption Monastery / Rosiiskyi kнudozнnii lystok. № 10. 1856. Uspenskyi monastyr
Author:
Vasyl Timm
Original name:
The country of the work of art:
Date:
1856
Type:
Graphics
Technique of implementation:
Graphics, architectural landscape
Materials:
Paper, lithography
Dimensions:
35,5x53,5 sm
Special labels, markings, signatures:
Г – 18, КП – 291
Location of special signs:
On the back on paper
Description:
In the foreground, at the foot of the cliff, is a playground. To the left, near the rock, is a fountain in the form of a rectangular stone slab. To the right are three men in long-coats, with a dog by their side. On the edge of the playground, to the left, are two women with a child. Two parishioners and a priest are sitting near the steps leading up the cliff to the monastery buildings. The monastery buildings are located on a cliff ledge.
The state of preservation: General soiling of the sheet, stains of iron bacteria.
The state of preservation: General soiling of the sheet, stains of iron bacteria.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Details of theft
Year of the incident:
2022
Place of the incident:
The Oleksii Shovkunenko Kherson Regional Art Museum
Coordinates (Lat, Lon):
46.62979067231111, 32.609546919505945
Place of last known stay:
Links
Archive links
Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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