The girl on the bridge / Divchyna na mostu

ID: 4123
Updated: 17.01.2025
The girl on the bridge / Divchyna na mostu (Photo 256)
Name:
The girl on the bridge / Divchyna na mostu
Author:
Kirill Lemokh
Original name:
The country of the work of art:
Date:
Type:
Painting
Technique of implementation:
Painting, landscape
Materials:
Canvas, oil
Dimensions:
42,8x53,5 sm
Special labels, markings, signatures:
Ж –474, КП - 998
Location of special signs:
On the back on canvas or on a stretcher
Description:
In the foreground in the center – on a dark gray wooden bridge, with pegs protruding from the dark olive water, a barefoot girl in Ukrainian national clothing; in a red scarf tied at the back of her head, in a white sheet, in a dark blue skirt wrapped around the waist, and a brown vest. Her head is slightly tilted forward and her figure is presented in a 3/4 turn to the left; in her lowered hands is a long stick. Behind her back to the right is a basket. Behind the girl’s back and on the sides of her – tall reeds. Behind the horizon line to the right and left – silhouettes of trees. The sky is greenish-blue. The stretcher is movable. Partial deformation of the canvas, shallow losses of the paint layer on the right. Abrasions and creases along the stretcher line. Traces of yellowed varnish. There are scratches on the right in the center.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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