Ukrainian ceramics

ID: 1737
Updated: 10.02.2025
Ukrainian ceramics (Photo 256)
Name:
Ukrainian ceramics
Author:
Tamara Khitrova
Original name:
The country of the work of art:
Date:
1962
Type:
Painting
Technique of implementation:
Painting, still life
Materials:
Canvas, oil
Dimensions:
129x110
Special labels, markings, signatures:
Ж – 1425, КП – 4391
Location of special signs:
On the back on canvas or on a stretcher
Description:
Against the background of a carpet and drapery, a white and red striped towel, is a deep green plate; to the right, on an orange cloth, are three figures: two white painted goats and a green ram. In the background, on the left, there are blue barrels, a casket, blue-violet and white jugs, a bright green kumanets, and an overturned spherical vase in the center; on the right, a green teapot, three pots (a large dark blue, a yellow-brown, and a small green), and a gray-greenish plate painted with floral ornaments. The author's signature is in black in the lower right corner: T. Khytrova.
On the back: sticker - passport number 24533: Khytrova T.A., Kyiv, still life, 110 x 129 cm, 1962.
Circumstances:
It was taken out of the Kherson Art Museum by representatives of the russian federation
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Details of theft


Year of the incident:
2022
Place of the incident:
The Oleksii Shovkunenko Kherson Regional Art Museum
Place of last known stay:

Links
Archive links
The Oleksii Shovkunenko Kherson Regional Art Museum
Description of the incident location
It was opened on May 27, 1978, in the former City Hall building, an architectural monument of the early 20th century. As of 2022 (before the robbery), the museum's collection included more than 13 thousand works of art and was one of the most interesting museum collections in Ukraine. It includes works of Ukrainian and foreign painting, graphics, sculpture, and decorative and applied arts. From October 31 to November 4, 2022, the Kherson Art Museum was looted by the russian occupiers, and more than 10,000 of its most valuable exhibits were stolen. The cargo was sent to Crimea, and the works (all or part of them) ended up in the Simferopol Central Museum of Tavrida. It is unknown whether everything is still there.
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